Nathan Medley is rapidly becoming one of the leading countertenors of his generation. His upcoming season includes his Los Angles Philharmonic debut under Gustav Dudamel premiering John Adam’s new oratorio, ‘The Gospel According to the other Mary’. His performing career has taken him around the United States and Europe singing recital, oratorio and opera repertoire. His opera credits include the roles of Oberon in A Midsummer Night's Dream, Dema in Cavalli's L'Egisto, and Ottone in Monteverdi's L'incoronazione di Poppea. The latter of which he covered for the Juilliard School on short notice. As Ottone, Medley won praise from Clevelend critics for an interpretation "sung with baroque perfection." Mr. Medley has worked under the direction of Stephen Stubbs, Umberto Finazzi, Sally Stunkel, Jonathon Field, Webb Wiggins, and Danielle Patelli. As a core member of the ensemble, Echoing Air, Medley sings frequent concert performances of chamber music. Echoing Air, now in its third season, enjoys a full local concert season in Indianapolis as well as annual tours throughout the midwest and United States. In addition to the standard baroque concert repertoire, Mr. Medley frequently commissions and performs modern works in an effort to broaden public awareness of the countertenor voice type. In 2008, Mr. Medley became a Presser Scholar and began a study of pedagogical approaches to the countertenor voice type and 20th-century countertenor repertoire. He has appeared in master classes with Marilyn Horne, Emma Kirkby, and Ellen Hargis, and holds a Bachelor of Music degree from Oberlin Conservatory in voice and historical performance. Nathan is also an active teacher with students of all ages and skill levels. He is an adjunct professor of voice at Marian University and also teaches at the University of Indianapolis. He can be heard singing weekly with the Christ Church Cathedral Choir of Men and Boys.